The sly wink has become the overly articulated one, the secret language has become a string of cliches. With its didactic structure and dialogue-early on, there’s a strange rehashing early of Ralph Lauren hawking his wide ties-the series is emblematic of a mass camp that seems to have taken over film and especially television. The miniseries format mostly means that little is spared-we see things even a generous biopic would admit, like his forgotten first and failed attempt at couture, and Halston begging the filmmaker Joel Schumacher to get sober. A Ryan Murphy production, the show sets out to portray the life and influence of Halston, the American designer who, after finding fame as the designer of Jackie Kennedy’s pillbox hat, launched his own brand of American clothes that blended the ease and wearability of sportswear with the taste and culture of couture. Villains with mustaches-don’t see those very much anymore!īut how the dresses changed women’s lives-their raison d’etre, in Halston’s world-isn’t seen. That leaves the question: is Halston, the series, good? The casting-the film’s own entourage of Halstonettes, if you will-is terrific: McGregor stalking around in ever-longer coats Bill Pullman as a pushy then greedy backer Kelly Bishop as a foul-mouthed Eleanor Lambert, creator of the International Best-Dressed List and New York Fashion Week, calling the French fashion establishment “motherfuckers.” You’ll love Victor Hugo, Warhol hanger-on with the perfect mustache. And Halston is currently in Netflix’s Top 10 streamed programs on the homepage. This is true, actually, on the occasions when consumer desire overrides a critic’s ire, but Halston is near tears because he knows the reviews are right. Embittered and tearful, he proclaims, “Reviews don’t matter.” The designer asks his last gal standing, a secretary named Sassy who is mostly charged with procuring cocaine for the office, to read him the reviews of his latest collection, a low-priced iteration of his wares for mall retailer JC Penney. The show received five Emmy nominations in total, with the series debuting on Netflix in its entirety back in May 2021.The final and fifth episode of Halston, the new Netflix miniseries starring Ewan McGregor as the mononymous designer, is named for the fashion designer’s feared adversary: “Critics.” The finale takes place after Halston’s interest in orgies and cocaine binges, and a perilous licensing agreement, have overtaken his life. The show was based on the book “Simply Halston” by Steven Gaines and was adapted for the screen by Sharr White, with Ryan Murphy executive producing under his Netflix overall deal. “Halston” tells the story of the life of the famous designer Halston from the 1960s through the 1980s. He is also set for a role in Guillermo del Toro and Mark Gustafson’s stop-motion animated version of “Pinocchio.” McGregor will voice the Talking Cricket in the film. Upcoming projects for McGregor include the Obi-Wan Kenobi series at Disney Plus, in which McGregor will reprise the role of the Jedi master he played across the three “Star Wars” prequel films. He was nominated that same year for best narrator for “Highlands: Scotland’s Wild Heart” and was also nominated in 1997 for best guest actor in a drama for his work on “ER.” He was previously nominated in the same category for his work in the third season of “Fargo,” in which he played twin brothers Emmit and Ray Stussy. This is McGregor’s fourth Emmy nomination overall and his first win.
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